Audiomack activates monetization program across the globe

Preeminent artist-first music streaming platform, Audiomack continues to level the playing field for independent artists by making its direct monetization program, the Audiomack Monetization Program (AMP), available worldwide in four continents.

It is now open in Nigeria, Ghana, Kenya, Mexico (LATAM), India (South Asia), Trinidad & Tobago, Haiti, and Europe.

Due to the power and ease of AMP, Audiomack stands out as “the only streaming service to directly pay artists with no third-party.”

Authenticated creators are paid instantly through the backend of the digital streaming provider, setting a precedent worldwide with the global launch of AMP. It allows creators to immediately access streaming revenue to benefit their careers. There’s nothing like it on any other DSP.

Last year, AMP opened up to authenticated creators in the United States, United Kingdom, and Canada.

Some of the most influential artists of today have utilized AMP as a stepping-stone to critical mass. In its initial beta phase in 2019, the program attracted future superstars such as Megan Thee Stallion, Lil Durk, and Flume to name a few.

They each adopted the program and leveraged it in order to reach the Audiomack community and beyond. These artists and many more have benefited immensely from the beta, and their success speaks to the power of AMP.

The first step in direct monetization is authentication. Operating with complete transparency and democratizing music like never before, creators may apply for authentication now. Requirements are at least two uploads and 1,000 plays.

Audiomack is a music streaming and discovery platform that allows artists, labels, and distributors to share unlimited music, and fans to discover new artists, songs, albums, mixtapes, playlists, podcasts and more.

Ifeoma Okeke-Korieocha

Ifeoma Okeke-Korieocha is the Aviation Correspondent at BusinessDay Media Limited, publishers of BusinessDay Newspapers. She is also the Deputy Editor, BusinessDay Weekender Magazine, the Saturday Weekend edition of BusinessDay. She holds a BSC in Mass Communication from the prestigious University of Nigeria, Nsukka and a Masters degree in Marketing at the University of Lagos. As the lead writer on the aviation desk, Ifeoma is responsible and in charge of the three weekly aviation and travel pages in BusinessDay and BDSunday. She also overseas and edits all pages of BusinessDay Saturday Weekender. She has written various investigative, features and news stories in aviation and business related issues and has been severally nominated for award in the category of Aviation Writer of the Year by the Nigeria Media Nite-Out awards; one of the Nigeria’s most prestigious media awards ceremonies. Ifeoma is a one-time winner of the prestigious Nigeria Media Merit Award under the 'Aviation Writer of the Year' Category. She is the 2025 Eloy Award winner under the Print Media Journalist category. She has undergone several journalism trainings by various prestigious organisations. Ifeoma is also a fellow of the Female Reporters Leadership Fellowship of the Wole Soyinka Centre for Investigative Journalism.